This creates a more open, ambiguous, or floating sound, because without the 3rd, the chord isn’t clearly major or minor.
Example:
Chord Diagrams and Positions for Guitar
Let’s go chord-by-chord: A, D, G, and E. I’ll give you three useful voicings/positions across the neck for each chord type.
Asus2: x 0 2 2 0 0
Asus4: x 0 2 2 3 0
Position 2: Barre chord at 5th fret (E-shape)
Asus2: 5 7 9 6 5 5
Asus4: 5 7 7 7 5 5
Position 3: A-shape barre at 12th fret
Asus2: x 12 14 14 12 12
Asus4: x 12 14 14 15 12
Dsus2: x x 0 2 3 0
Dsus4: x x 0 2 3 3
Dsus2: x 5 7 7 5 5
Dsus4: x 5 7 7 8 5
Dsus2: 10 12 14 11 10 10
Dsus4: 10 12 12 12 10 10
Gsus2: 3 0 0 2 3 3
Gsus4: 3 5 5 5 3 3Gsus4: 3 2 0 0 1 3
Gsus2: 10 12 12 11 10 10
Gsus4: 10 12 12 13 10 10
Gsus2: 3 5 5 4 3 3
Gsus4: 3 5 5 5 3 3
“Pinball Wizard” – The Who
Main Progression: Asus2 – Dsus2 – Esus4 – E
This progression repeats throughout the song. (or alternately up one 'tone' starting on Bsus2
How it works:
• The suspended chords give it a punchy, jangly sound.
• The Esus4 resolves into E for that satisfying tension/release effect.
“Free Fallin’” – Tom Petty
Progression: D – Dsus4 – D – Asus4 – A
This song is built on suspended chords — the sus4s add emotional movement without making the harmony too busy.
D: x x 0 2 3 2
Dsus4: x x 0 2 3 3
A: x 0 2 2 2 0
Asus4: x 0 2 2 3 0
“April Sun in Cuba’” – Dragon
Asus4 x02230 or x07750 A x02220 or x07650
This movement of D to C# characterises the verses
The rest of the song is:
D xx0232 or x5777x A/C# x4222x Bm x24432 G 320003 Gmaj7 3x0002 or 3x0032 Bm7/A x00202 or x0977x
Quick Tip:
• Try resolving sus chords by moving from sus2 or sus4 to the major chord. That resolution creates emotional movement.
• Example: Asus4 → A, Dsus2 → D, etc.